Gauntlet

lozzy:

Bast, Egyptian goddess of the rising sun, was much admired for her warm and playful nature, not to mention her fierce protectiveness.

Like any kitten, no matter how soft and playful, Bast could, if need be, bare her teeth and claws to ward off a threat.

The goddess Bast, more than any other of the Egyptian goddesses, offers to teach us to not take things too seriously, and to luxuriate in our feminine grace and sensuality, and especially to never waste our energy on worrying about things that may never bring us rewards.

from here

lozzy:

We started off sitting at one end of the couch and then our feet were squished against the armrest and then he went over to turn off the TV and came back after he had taken off his shirt and then we slid onto the floor and he got up again to close the door, then came back to me, a body waiting on the rug.

You’d try to wipe off the table or to do the dishes and Willie would untuck your shirt and get his hands up under in front, standing behind you, making puffy noises in your ear.

…

You wait till they come to you. With half fright, half swagger, they stand one step down. They dare to touch the button on your coat then lose their nerve and quickly drop their hand so you - you’d do anything for them. You touch their cheek.

…

The more girls a boy has, the better. He has a bright look, having reaped fruits, blooming. He stalks around, sure-shouldered, and you have the feeling he’s got more in him, a fatter heart, more stories to tell. For a girl, with each boy it’s as though a petal gets plucked each time.

…

After sex, you curl up like a shrimp, something deep inside you ruined, slammed in a place that sickens at slamming, and slowly you fill up with an overwhelming sadness, an elusive gaping worry. You don’t try to explain it, filled with the knowledge that it’s nothing after all, everything filling up finally and absolutely with death. After the briskness of loving, loving stops. And you roll over with death stretched out alongside you like a feather boa, or a snake, light as air, and you … you don’t even ask for anything or try to say something to him because it’s obviously your own damn fault. You haven’t been able to—to what? To open your heart. You open your legs but can’t, or don’t dare anymore, to open your heart. It starts this way:

You stare into their eyes. They flash like all the stars are out. They look at you seriously, their eyes at a low bum and their hands no matter what starting off shy and with such a gentle touch that the only thing you can do is take that tenderness and let yourself be swept away. When, with one attentive finger they tuck the hair behind your ear, you— You do everything they want.

Then comes after. After when they don’t look at you. They scratch their balls, stare at the ceiling. Or if they do turn, their gaze is altogether changed. They are surprised. They turn casually to look at you, distracted, and get a mild distracted surprise. You’re gone. Their black look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.

Lust by Susan Minot

Rereading Sylvia

jessicalouise:

One theory of poltergeists — a theory that Plath surely would’ve liked — has it that some teenage girls are overflowing with so much repressed fury and unexpressed sexual energy that they cause supernatural phenomena — chairs flying across the room, strange spontaneous bleeding. Plath, like the fili, was a hardcore, full-body poet. She was kabbalistic, a golem-maker, and she created any number of monsters that still haunt readers. Her work exposes all of the worst humiliations of growing up female. It’s only natural, when she opened that basement door a crack, that her extensive biographies should reveal page after page of new embarrassments — her confessions of sexual frustration, her sugar-coated letters to her mother, her lost, private battles, her trying too hard and caring too much, her insatiable pride, her obvious desperation.

(via bookslut)