Gauntlet

7 November 2009


7 November 2009


7 November 2009


More women than men applied to the school in 1919, and Gropius insisted that there would be “no difference between the beautiful and the strong sex” – those very words betraying his real views. Those of the “strong sex” were, in fact, marked out for painting, carving and, from 1927, the school’s new architecture department. The “beautiful sex” had to be content, mostly, with weaving.

The school’s students produced radical work, but Gropius’s vision was, at heart, medieval, if apparently modern, and he was keen to keep women in their place – at looms, primarily, weaving modern fabrics for fashion houses and industrial production. He believed women thought in “two dimensions”, while men could grapple with three.

Haus proud: The women of Bauhaus

7 November 2009


lacontessa:

Von George De Fleure.
via

lacontessa:

Von George De Fleure.

via

7 November 2009 reblog: lacontessa


onesong:

realrealsoft:

Glamour: “You’re talking about the photo [reportedly of Rihanna’s injured face taken by police after Brown assaulted her] that was allegedly leaked by cops. You handled that so well; you kept silent in the press.”
Rhianna: “It was humiliating; that is not a photo you would show to anybody. I felt completely taken advantage of. I felt like people were making it into a fun topic on the Internet, and it’s my life. I was disappointed, especially when I found out the photo was [supposedly leaked by] two women.”
Glamour: “If you could offer a message to the millions of young women who look up to you, what would you tell someone who found herself in a similar situation?”
Rhianna: “Domestic violence is a big secret. No kid goes around and lets people know their parents fight. Teenage girls can’t tell their parents that their boyfriend beat them up. You don’t dare let your neighbor know that you fight. It’s one of the things we [women] will hide, because it’s embarrassing. My story was broadcast all over the world for people to see, and they have followed every step of my recovery. The positive thing that has come out of my situation is that people can learn from that. I want to give as much insight as I can to young women, because I feel like I represent a voice that really isn’t heard. Now I can help speak for those women.”
__________________
mad respect for her. read the whole interview. (via)

AGREED, and honestly, i don’t want to hear about “oh she’s speaking because her new CD is dropping,” SO THE FUCK WHAT.  I HOPE she gets something positive like a number one disc out of this nightmare.  I HOPE the combined buzz of her disc and her speaking out reach the ears of every person they need to.  I *HOPE LIKE HELL every young girl who buys her CD remembers that this happened to her and this is how she dealt with it and if they ever find themselves or someone they love in a similar situation they REMEMBER HOW TO HANDLE IT.  that it’s NOT embarrasing, that it’s NOTHING to be ashamed of, that it IS something you can tell.
NOT ANOTHER WORD.

onesong:

realrealsoft:

Glamour: “You’re talking about the photo [reportedly of Rihanna’s injured face taken by police after Brown assaulted her] that was allegedly leaked by cops. You handled that so well; you kept silent in the press.”

Rhianna: “It was humiliating; that is not a photo you would show to anybody. I felt completely taken advantage of. I felt like people were making it into a fun topic on the Internet, and it’s my life. I was disappointed, especially when I found out the photo was [supposedly leaked by] two women.”

Glamour: “If you could offer a message to the millions of young women who look up to you, what would you tell someone who found herself in a similar situation?”

Rhianna: “Domestic violence is a big secret. No kid goes around and lets people know their parents fight. Teenage girls can’t tell their parents that their boyfriend beat them up. You don’t dare let your neighbor know that you fight. It’s one of the things we [women] will hide, because it’s embarrassing. My story was broadcast all over the world for people to see, and they have followed every step of my recovery. The positive thing that has come out of my situation is that people can learn from that. I want to give as much insight as I can to young women, because I feel like I represent a voice that really isn’t heard. Now I can help speak for those women.”

__________________

mad respect for her. read the whole interview. (via)

AGREED, and honestly, i don’t want to hear about “oh she’s speaking because her new CD is dropping,” SO THE FUCK WHAT.  I HOPE she gets something positive like a number one disc out of this nightmare.  I HOPE the combined buzz of her disc and her speaking out reach the ears of every person they need to.  I *HOPE LIKE HELL every young girl who buys her CD remembers that this happened to her and this is how she dealt with it and if they ever find themselves or someone they love in a similar situation they REMEMBER HOW TO HANDLE IT.  that it’s NOT embarrasing, that it’s NOTHING to be ashamed of, that it IS something you can tell.

NOT ANOTHER WORD.

7 November 2009 reblog: realrealsoft


I got a glimmer of an answer last year as I sat in a board room hashing out the winners for one of the awards for which I am a judge. Our short list was pretty much split evenly along gender lines. But as we went through each category, a pattern emerged. Some books, it seemed, were “ambitious.” Others were well-wrought, but somehow … “small.” “Domestic.” “Unam —” what’s the word? “— bititous.”

I don’t know about you, but when I hear the word “ambitious,” what I think is “Nice try. Better luck next time. Keep shooting for the stars!” I think many things, but never among them is the word Congratulations.

But, incredulous, again and again, I watched as we pushed aside works that everyone acknowledged were more finely wrought, were, in fact, competently wrought, for books that had shot high but fallen short. And every time the book that won was a man’s.

“I just want to say,” I said as the meeting closed, “that we have sat here and consistently called books by women small and books by men large, by no quantifiable metric, and we are giving awards to books I think are actually kind of amateur and sloppy compared to others, and I think it’s disgusting.” (I wasn’t built for the board room.) “But we can’t be doing it because we’re sexist,” an estimable colleague replied huffily. “After all, we’re both men and women here.”

But that’s the problem with sexism. It doesn’t happen because people — male or female — think women suck. It happens for the same reason a sommelier always pours a little more in a man’s wine glass (check it!), or that that big, hearty man in the suit seems like he’d be a better manager. It’s not that women shouldn’t be up for the big awards. It’s just that when it comes down to the wire, we just kinda feel like men … I don’t know … deserve them.

Lizzie Skurnick for President. (via stillawannablessedbe)

7 November 2009 reblog: stillawannablessedbe


Butler suggests to her readers that this sly send-up of the status quo is the only script for resistance that life offers. Well, no. Besides offering many other ways to be human in one’s personal life, beyond traditional norms of domination and subservience, life also offers many scripts for resistance that do not focus narcissistically on personal self-presentation. Such scripts involve feminists (and others, of course) in building laws and institutions, without much concern for how a woman displays her own body and its gendered nature: in short, they involve working for others who are suffering.

The great tragedy in the new feminist theory in America is the loss of a sense of public commitment. In this sense, Butler’s self-involved feminism is extremely American, and it is not surprising that it has caught on here, where successful middle-class people prefer to focus on cultivating the self rather than thinking in a way that helps the material condition of others. Even in America, however, it is possible for theorists to be dedicated to the public good and to achieve something through that effort.

Many feminists in America are still theorizing in a way that supports material change and responds to the situation of the most oppressed. Increasingly, however, the academic and cultural trend is toward the pessimistic flirtatiousness represented by the theorizing of Butler and her followers. Butlerian feminism is in many ways easier than the old feminism. It tells scores of talented young women that they need not work on changing the law, or feeding the hungry, or assailing power through theory harnessed to material politics. They can do politics in safety of their campuses, remaining on the symbolic level, making subversive gestures at power through speech and gesture. This, the theory says, is pretty much all that is available to us anyway, by way of political action, and isn’t it exciting and sexy? In its small way, of course, this is a hopeful politics. It instructs people that they can, right now, without compromising their security, do something bold. But the boldness is entirely gestural, and insofar as Butler’s ideal suggests that these symbolic gestures really are political change, it offers only a false hope. Hungry women are not fed by this, battered women are not sheltered by it, raped women do not find justice in it, gays and lesbians do not achieve legal protections through it.

Martha Nussbaum, The Professor of Parody.

I think there may be Butlerian admirers reading this tumblr and if so, so be it.  I am not of your number.  In any event my main objection to all this hand-wringing over whether some feminists are slut shamers (they probably are) is that it is, in my view, connected to this notion that we all seem to spend so much time yelling about the “sexuality police” that we cannot see the forest for the trees.  And here the forest is the betterment of all women, and for feminism, the betterment of all women is a pretty big thing to miss.

(via stillawannablessedbe)

5 November 2009 reblog: stillawannablessedbe


Gabourey Sidibe: 
“I think people look at me and don’t expect much,” she said. “I expect a whole lot.”
More here

Gabourey Sidibe:

“I think people look at me and don’t expect much,” she said. “I expect a whole lot.”

More here

4 November 2009


In London, recorded homophobic attacks are up by 20 per cent. In Glasgow it’s 32 per cent; in Liverpool it’s 40 per cent; in Greater Manchester it’s 63 per cent.

Violence against gay people can – and must – be stopped

4 November 2009